Slut

Aiden Riley of Belladonna Entertainment has written and directed a highly stylized, fetish-heavy film that evokes an Orwellian, alternative, industrial reality while steadfastly maintaining his sexual intent. The willingness of the Sluts and the Fuckers redefines the boundaries that the actors will cross for the sake of hardcore pornography. The graphic depiction of humiliation - nipple pinching, choking, deep throat, tail wagging, fingers, dildo insertion, double penetration, stretching of openings, gaping anals, anal shots, spanking, anal sex and sperm swallowing - should take away any fear that sex will be sacrificed to style. Despite the abundance of intense sucking and fucking, there is plenty of drama. The premise is a six-step instruction on how to prepare a slut for the right carnal performance. The setting is a cold cinder block prison with an extremely hard medical experimental component, thanks to Belladonna and her rough assistants. In each scene we are treated to a slo-mo teasing sequence of the bitch to highlight her freshly watered body, and in the case of Charley Chase, her deliciously bouncing breasts. Dressed in surgical gowns and masks, Belladonna and the faceless guards bring the sluts, one by one dragged out of their cells, into the interrogation room (a concrete cell). Naked except for their hand and foot cuffs, the sluts meet their waiting fuckers (in five of the six scenes two at a time). Each slut is a lesson in one of the six steps of slut preparation: finding the slut, training the slut, stretching the slut, feeding the slut, cleaning the slut, and finally selling the fucking slut. The opening voice explains the moral of the story: ...A slut is a girl who lives for fucking. She breathes fuck, eats fuck and shits fuck. Her life is fuck. She is, was and always will be a slut. The disc contains a summary of the cumshot, a cast list, filmographies and trailers.